Foreverlivvy - Olivia Newton-John

...But there's one thing I know The blues they send to meet me Won't defeat me, it won't be long Till happiness steps up to greet me...

 

  Page 97 The first duet | recorded with Olivia Newton-John was Don't Move Away. She had sung backing vocals for me on tour, and this was a chance to give her the exposure she deserved. It became the B-side of Sunny Honey Girl, which was my first single of 1971, released at the beginning of another | 3-week series for BBC television. Hank and Una were again resident guests and Hank presented his new group Marvin, Welch and Farrar, through whom I'd met Olivia. Peter Gormley was now managing Olivia too, and her first single If Not For You — a Bob Dylan song — was produced by Bruce and John Farrar and became a big hit in both the UK and in the States. Page 97 | established a close friendship with Olivia that added a special warmth to our duets on the series — | still love to sing with her — and | think viewers wished coupledom upon us. We both played a prank on a radio DJ by phoning him from a hotel room late one night, and, not surprisingly, that helped to fuel rumours. Page 97 T...

VBR MP3 

MPEG2

Dionne and Friends, Christmas in Washington, The Pat Sajak Show, Big Green Concert, Earth 1990, The Leeza Show, The Lifetime Show, The Today Show, The Tonight Show, The Scott Hamilton:Back on Ice, J.Brickman Concert.

Magic Xanadu Please Mr. Please If Not For You Banks Of The Ohio Jolene Let Me Be There Sam Have You Never Been Mellow Not Gonna Give Into It The Long And Winding Road Take Me Home, Country Roads I Honestly Love You Don't Cry For Me Argentina Suddenly You're The One That I Want Hopelessly Devoted To You Don't Cut Me Down Over The Rainbow Back With A Heart If You Love Me Physical Love Is A Gift Thanks to Nathan for this concert

Xanadu Magic Don't Stop Believin' Please Mr. Please If Not For You Jolene Sam

Un bootleg es una grabación que no ha sido publicada oficialmente por el artista o por su compañía discográfica. Pueden ser grabaciones en directo de conciertos, de sesiones en estudio, de ensayos o simplemente de jams (improvisaciones musicales). Estas grabaciones suelen ser obtenidas directamente durante los conciertos por personas que acudieron a ellos con grabadoras domésticas portátiles. Se discute mucho sobre la legalidad de dicha práctica, yo en lo personal agradezco que exista, el bootleg es una forma de documentar eventos, (en este caso conciertos) y acercarnos esas imágenes a quienes no hemos tenido la fortuna de poder asistir. He conseguido una cantidad considerable de estas grabaciones, algunas con mejor calidad que otras, pero en cualquier caso son un documento con un gran valor que va creciendo a medida que pasa el tiempo.